Line 6 POD Studio GX

Line 6 POD Studio GX Review

Line 6 POD Studio GX Feature

• GX provides the lowest noise for recording guitar with 12dB more dynamic range than similar interfaces
• ToneDirect monitoring virtually eliminates latency and allows you to record and monitor a fully processed tone
• POD Farm plug-in provides 18 guitar amps, 24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects and 6 mic preamps in Mac® AU/RTAS®/VST® and Windows® RTAS® /VST® formats
• Ableton® Live Lite 8-track recording software
• 1/4-inch guitar input; 1/8-inch guitar headphone/line output, 44.1/48 kHz 16-/24-bit recording (88.2/96 kHz with sample rate conversion), Compatible with USB 1.1 and 2.0
• Ableton Live Lite 8-track recording software
• POD Farm plug-in provides 18 guitar amps, 24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects
• 1/4-inch guitar input; 1/8-inch guitar headphone/line output, 44.1/48 kHz 16-/24-bit recording, Compatible with USB 1.1 and 2.0

POD® Studio GX combines the stunning sound of POD Farm™ plug-in with a rock-solid and powerful USB interface. Essential to the success of countless platinum-selling albums, these immortal Line 6 guitar, bass and effects tones are now available for recording guitarists. POD Farm, The Premium Tone Plug-in POD Farm plug-in features the sounds of the sought-after vintage essentials and must-have modern monsters necessary for a pro-sounding recording. It includes 18 immortal guitar amps (modeled after* Fender® Deluxe Reverb®, Marshall® JCM-800, Vox® AC-30 Top Boost, Mesa/Boogie® Dual Rectifier®, and more), 24 guitar cabs, 5 bass amps and 5 bass cabs, 29 essential stompbox and studio effects (modeled after* EP-1 Tube Echoplex, Ibanez® Tube Screamer®, MXR® Phase 90, LA-2A® studio compression, and more) and 6 crucial mic preamps (modeled after* Neve® 1073, Avalon Vt737, API® 512c, and more). Drag and drop any model into the signal flow, pre or post amplifier. The carousel-style gear browser, displaying each and every coveted model, provides an experience that’s a dream come true. Creating classic tones or imaginative hybrids is incredibly fast and easy. GX, the Lowest Noise for the Clearest Recordings GX boasts the lowest noise for recording guitar, 12dB more dynamic range than similar interfaces, for clear and dynamic recordings. Plus, exclusive Line 6 ToneDirect™ monitoring virtually eliminates latency allowing you to record with amp and effect modeling and without sacrificing tone or feel. Compact and powerful, GX features a 1/4-inch guitar input that allows for an immediate and no-nonsense recording experience. Start Recording Right Out of the Box POD Studio GX includes POD Farm plug-in and Ableton® Live Lite 8-track recording software, an ideal platform for guitarists. This collection of studio-standard hardware and software provides instant pro recording, right out of the box.

Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5 Recording Software

Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5 Recording Software Review

Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5 Recording Software Feature

• 4 all-new plus 28 improved amp models multiplied by 15 speaker cabinet simulations give you a total of 480 virtual combos
• USB audio interface included, featuring stereo I/O, optical S/PDIF out, direct monitoring and separate control for phones out
• No-latency guitar recording on your PC - edit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform music production software energyXT2.5 Compact
• Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor and various effects combinations
• 125 memory locations pre-arranged for many popular styles and embedded in the acclaimed intuitive V-AMP user interface
• No-latency guitar recording on your PC - edit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform
• Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor.
• Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor
• No-latency guitar recording on your PCedit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform music

If a lack of money and floor space is all that's been standing between you and a home recording studio full of wicked vintage guitar amps and effects pedals, get ready to love the V-AMP 3. This red rocker comes loaded with 32 amp models, 15 speaker cabinet models and 16 classic effects. But that's only the beginning--you also get the UCA222 USB audio interface and free energyXT2.5 Compact software. In short, the V-AMP3 gives you the power to start recording a molten magnum opus in no time!

This red rocker comes loaded with 32 amp models, 15 speaker cabinet models and 16 classic effects. Click to enlarge.

Stereo 1/4-inch line out and auxiliary input with volume control.

Includes XT Software's energyXT for recording right out of the box.

View control diagram. Click to enlarge.

Turn Your Home Into a Hit Factory--In Seconds!
Hook the V-AMP3 up to your computer using the included 1/4" TRS-to-RCA cable and UCA222 USB interface. Connect V-AMP3 Phones output with the stereo line inputs of UCA222, and switch its direct monitoring function on. Then connect the UCA222 USB cable to your computer. You can monitor the signal with the UCA222's headphone jack. (This is also a great way to jam along with the MP3's on your computer). From there, the amazing energyXT2.5 DAW (digital audio workstation) makes it easy to manipulate your audio and MIDI files, turning song ideas into stunning CD or web-ready recordings. energyXT2.5 includes its own multi-FX processor, built-in synthesizers and a drum machine, both of which can be accessed by any controller keyboard, such as the UMA25S or UMX series, or programmed in step-write mode.

Any Classic You Like
The V-AMP 3's 32 amp models are organized into four groups: CLEAN, BLUES, METAL and ROCK. Just twist the dedicated dial to plug into unbelievably authentic simulations of the greatest British and American tube amps from the 1950s to today. You even get models of uncommon--yet renowned--boutique tube amps! When you select an amp model, a speaker cabinet model is automatically selected. But if you'd prefer a different model, just go to EDIT>CABINETS, then use the BANK UP/DOWN buttons to navigate through all 15 options.

Just like on an actual guitar amp, you've got a three-band EQ, GAIN, REVERB, VOLUME and MASTER VOLUME dials. By holding the TAP button, the TREBLE dial becomes a PRESENCE control. This enables the adjustment of a high-frequency filter that can add or remove a "shimmer" from the V-AMP 3's tone.

Top Tone--In Full Effect
The V-AMP 3 gives you flanger, chorus, compression, delay and 12 other beautiful digital effects to apply to your sound. Adjust the effect's level in the mix via the EFFECTS dial. To adjust effect parameters, you can rhythmically press the TAP button to alter delay times or LFO speeds, or hold down the TAP button and twist the EFFECTS knob to access e.g. feedback or depth. By using a MIDI pedal, such as the BEHRINGER FCB1010, you can access an additional Wah Wah effect. You can adjust the filter characteristic by entering EDIT mode, selecting the DRIVE menu and turning the EFFECTS knob while holding the TAP button.

Presenting the Presets
All of these elements have been combined into 125 different presets divided into 25 banks, accessible through the BANK UP/ BANK DOWN buttons. Within each bank, you can press buttons A through E to explore its different presets. You can also create and save your own presets. Start by selecting a preset, then making any changes you wish: amp, EQ, effect, etc. The preset LED will begin to flash, indicating that the V-AMP 3 is ready to save your settings. To do this, hold the preset button down for about two seconds. Once the LED stops flashing, you have saved the modified preset. On top of all this, the V-AMP 3 also features a built-in tuner and noise gate. In essence, it's a Swiss Army Knife for the home recording enthusiast or gigging guitarist who can't seem to settle on one amp.

Stunning in the Studio
The V-AMP 3 features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use BANK UP and BANK DOWN to select a configuration.

When using headphones, the V-AMP 3 will switch into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn't apply the additional three-band EQ to the signal, but most recording programs--like energyXT2.5--have their own EQ. In Studio Mode 2 (S2), the V-AMP 3 sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks, or record the "dry" left output while monitoring the right output.

Stellar on Stage
The V-AMP 3 has three live configurations. When performing live with this device, you can either run it to an amp on stage, run directly to the mixing board, or both. Live Mode 1 is the best choice for running the outputs directly to the mixer, because it applies amp and speaker simulation, effects and an additional 3-band EQ.

Use Live Mode 2 to run the V-AMP 3 into the effects return inputs of 2 different guitar amps. This configuration does not feature speaker simulation, allowing the amplifier's natural speaker sound to go unaltered. In this scenario, the amps would be mic'd on stage to get the sound to the house speakers, and having a dedicated monitor would be less important. In Live Mode 3, you can send the left output to an amp's effects return for onstage volume, while the right output sends signal to the main mixer for inclusion in the main house mix. Also note that you can press the TAP key while turning the GAIN knob to adjust the input sensitivity to match the output of your guitar's pickups. If the CLIP LED lights, the input's sensitivity should be reduced.

Veni, MIDI, Vici
The V-AMP 3 comes fully equipped to fit right into a MIDI (Musical Instrument Digital Interface) setup. It can be controlled in real time from a computer, or via a MIDI foot controller during a live performance. Its MIDI connectors are international-standard 5-pin DIN connectors. You will need dedicated MIDI cables (not included).

The MIDI IN jack receives MIDI controller data. It can be adjusted in EDIT mode by pressing the A button and then using the arrow keys. MIDI OUT/THRU sends data to a computer. You can transmit both preset data and parameter changes. Some people even use the V-AMP as a remote control for parameters of their DAW or VST instruments, which is more handy than using the mouse alone. If set to MIDI THRU, the V-AMP 3 does not send its own MIDI information, but passes on the signal received at the MIDI IN connector.

What's in the Box
Behringer V-AMP3, Power Cable, User's Manual Next-Generation Virtual Guitar Amplifier with USB Audio Interface and energyXT2.5 Recording Software

Line 6 Relay TBP06 Wireless Transmitter for Relay G30 Wireless Guitar System

Line 6 Relay TBP06 Wireless Transmitter for Relay G30 Wireless Guitar System Review

Line 6 Relay TBP06 Wireless Transmitter for Relay G30 Wireless Guitar System Feature

• Lightweight, low-profile and easy to use; Rugged polycarbonate shell; 8 hours of battery life via two AA alkaline batteries (Batteries not included)
• At-a-glance recognition of power, signal status, battery life, and channel number via two LEDs and a front-mounted channel-select switch
• 24-bit A/D conversion; 128 times oversampling; Input impedance: 1.3 M-Ohm
• 1/4" unbalanced input
• Dimensions (WxHxD): 2 7/8" x 2 1/4" x 1 1/4"; Weight: 3 oz.

TBP06 wireless transmitter is designed for use with the Relay G30 Wireless Guitar System. Its brawny construction, low-profile design and simple operation help the award-winning Relay G30 Wireless Guitar System offer superior sound quality and dependability to guitarists and bassists.

The tough, durable shell is constructed of rugged but lightweight polycarbonate. This protects the electronics without the transmitter dragging you down. Plus, the low-profile design isn’t big and bulky like other transmitters, and it features internal antennas for the ultimate in comfort and convenience.

At-a-glance recognition of power, signal status, battery life, and channel number is incredibly important during a performance and can be accessed via a pair of bright LEDs and a front-mounted channel-select switch. You’ll never be left guessing how much juice you’re got left.

Refreshingly simple, TBP06 wireless transmitter features a standard 1/4" input. Plug your guitar right into it without the need for additional cables.

TBP06 wireless transmitter helps Relay G30 Wireless Guitar System boast some of the best audio specs in the business (10Hz – 20kHz frequency response, 118 dB dynamic range, and 24-bit A/D conversion) for superior sound of the highest definition.

TBP06 wireless transmitter (and Relay G30 Wireless Guitar System) is approved for use in North America, South America, Europe, Asia, and Australia.

• Lightweight, low-profile and easy to use; Rugged polycarbonate shell; 8 hours of battery life via two AA alkaline batteries (Batteries not included)

• At-a-glance recognition of power, signal status, battery life, and channel number via two LEDs and a front-mounted channel-select switch

• 24-bit A/D conversion; 128 times oversampling; Input impedance: 1.3 M-Ohm

• 1/4" unbalanced input

• Dimensions (WxHxD): 2 7/8" x 2 1/4" x 1 1/4"; Weight: 3 oz.

Line 6 Uber Metal

Line 6 Uber Metal Review

Line 6 Uber Metal Feature

• Metal, Pulverize and Insane distortions based on Line 6 High gain tones
• Built-in selectable noise gate
• Scoop control for massive tonal contouring
• Mono inputs and outputs
• Rugged metal construction

So much gain, so little time. The high-gain model in the ToneCore pedal line, Uber Metal brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones including Metal, Pulverize, and Insane. Also included with the Uber Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring.

Monster S100-I-6 Standard 100 1/4-Inch Instrument Cable (6 Feet)

Monster S100-I-6 Standard 100 1/4-Inch Instrument Cable (6 Feet) Review

Monster S100-I-6 Standard 100 1/4-Inch Instrument Cable (6 Feet) Feature

• Precision coaxial design for accurate frequency repsonse and wide dynamic range.
• 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution.
• Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design.
• IsoTec vibration techonlogy further redudes handling noise.
• Extra-flexible Duraflex outer jacket for superior reliability and cut resistance.

Monster Standard 100 Instrument Cable is the first step into a world of flawlessly detailed guitar and bass sound. Precision windings and heavy gauge construction give your sound more presence, wider frequency response, and excellent dynamic range. Dense spiral copper with special dielectric minimizes handling noise. Extra-flexible jacket endures extended stage and studio use. Reinforced connectors stand up to rugged use whether whether you're gigging, tracking in the studio, or jamming in the garage. Monster 100 Series Features & Specifications Precision coaxial design for accurate frequency repsonse and wide dynamic range. 90% coverage copper-braided shield rejects RFI and EMI for a lower noise floor and increased resolution. Carbon-infused dielectric reduces microphonic pops and cracks for a noise-free cable design. IsoTec vibration techonlogy further redudes handling noise. Extra-flexible Duraflex outer jacket for superior reliability and cut resistance. Interchageable, color O ring attaches to each connector for customized identification. New heavy-duty, molded connector design increases durability and resists damage. Hard chrome contact 1/4 inch connectors are durable and corrosion resistant. Professionals recognize that the quality of cable in a sound system can dramatically affect, for better or worse, an entire mix, or an instrument's tone. When you're ready to settle for nothing less than premium cable, Monster is the name to turn to. Available in 3 grades, all Monster Cables are known for incredibly pure sound quality. On a budget? Monster Standard 100 instrument, mic and speaker cables deliver improved performance at an affordable price.

Line 6 FBV Shortboard MkII Foot Controller

Line 6 FBV Shortboard MkII Foot Controller Review

Line 6 FBV Shortboard MkII Foot Controller Feature

• Total floor control of your Line 6 amp and POD
• Reliable steel footswitches
• Dedicated footswitches for preset bank select, bank scroll, effect select, tuner, tap tempo, and more
• Burly, full-sized volume/wah pedal with plenty of grip, Oversized and bright LCD displays chromatic presets and tuner
• Back panel: USB jack, RJ-45 jack, 1/4-inch expression pedal jack,RJ-45 cable included

Get the most from your Line 6 amp and POD with FBV Shortboard MkII foot controller! FBV Shortboard MkII isn’t your average foot controller. It’s a full-on remote control that keeps you at the foot of the stage instead of tied to the front of your Line 6 amp or POD. It offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and an oversized backlit display, but it’s also full of surprises. The steel footswitches give you total control over your tone. Dedicated footswitches let you change, scroll and select presets with uncompromised speed, add or remove effects in an instant, synchronize all your time-based effects with Tap Tempo, and more! Load up to 64 presets in the 4 banks. Adding individual or simultaneous effects on top of each preset allows for on-the-fly colorization and customization of your tones. An added bonus: the well-spaced footswitches are conveniently laid out so that you’re not stepping on two at once (unless you want to)! The burly, full-sized pedal feels solid under your foot and features plenty of grip. Click the toe to volley back and forth between volume and wah-wah control. (Adding an expression pedal provides dedicated volume control.) Oversized and backlit, the LCD is big, bright and easy to read. It shows you everything you need to know including preset name chromatic tuner display. FBV Shortboard MkII connects to your Line 6 amp or POD via the included locking RJ-45 cable. FBV Shortboard MkII also features a USB jack that can be used for upgrading the firmware of Spider IV and Spider Valve MkII amplifiers. Perfectly paired with Spider IV and Spider Valve MkII amplifiers, FBV Shortboard MkII provides complete, hands-free control of the looper, pitch-shifter and other on-board effects. FBV Shortboard MkII is compatible with most Line 6 amplifiers and POD processors.

Grover 205C6 Mini 6 in Line Machine Heads, Chrome

Grover 205C6 Mini 6 in Line Machine Heads, Chrome Review

Grover 205C6 Mini 6 in Line Machine Heads, Chrome Feature

• Fits Guitars That Will Not Take Full Size Machines
• 14:1 Gear Ratio
• Self Lubricating Housing
• For 3+3 Style Headstocks
• Includes 5/8' Washers, Bushings and Wood Screws

Totally professional in design and performance. Small, lightweight, this precision machine fits guitar headpieces that will not take full size machines. The mini buttons provide more space for player?s fingers (even larger fingers) to tune strings. Gear ratio is 14:1. Sealed in lubrication keeps mini perfect for a lifetime! Includes 5/8? washers, bushings and wood screws.

Line 6 Relay G30 Wireless Guitar System

Line 6 Relay G30 Wireless Guitar System Review

Line 6 Relay G30 Wireless Guitar System Feature

• 30-meter range, line-of-sight
• Broad 10Hz - 20kHz frequency response; Superior 118 dB dynamic range, 8 hours of battery life (AA alkaline batteries)
• Comes complete with transmitter, receiver (Rugged polycarbonate shell) and all necessary accessories including cable, power supply and batteries
• 2.4GHz band is optimal for guitar wireless, approved for use in Europe, South America, Asia and Australia.
• Encrypted data stream for added signal protection; Simultaneous broadcasts on six channels

Relay G30 redefines the wireless experience for guitarists and bassists. Its superior sound, professional dependability and refreshing simplicity are unavailable from other wireless systems.

Polycarbonate stompbox-style system Side-mounted 1/4-inch ins and outs on receiver Internal antennas on receiver Reciever has standard 9VDC power 10Hz-20kHz frequency response 6 compatible channels 100 feet line-of-sight transmission range (may vary with local conditions) 24-bit Delta Sigma, 128 times oversampling Transmitter has approx. 8 hour battery life (2 AA batteries)

Superior Sound
Relay G30 provides a pure signal. Its clarity rivals that of the highest-quality guitar cables. Guitars get a beautiful high-end sparkle and basses get a thunderous low-end punch, even at distances of up to 30 meters. Traditional wireless systems compromise their sound by rolling-off crucial high- and low-end frequencies and compressing their signals. Relay G30 offers superior sound with full bandwidth and zero compression.

Professional Dependability
Relay G30 broadcasts its robust signal over the 2.4GHz band. This keeps the signal free from many kinds of interference. For added security, Relay G30 employs exclusive signal protection technology: it broadcasts an encrypted data stream on six channels simultaneously.

Receiver features side-mounted 1/4-inch ins and outs and internal antennas, making it easy to add to a pedal board.

Switch between cable and wireless systems without having to adjust the tone settings on your amplifier.

Traditional wireless systems, on the other hand, are susceptible to dropouts, static and many other kinds of interference. Broadcasting over congested UHF bands, their signals may be affected by interference generated as far away as 160 kilometers, or more.

Refreshing Simplicity
Relay G30 is a low-profile system that's easy to use. The lightweight transmitter remains out of the way of your performance, and the rugged receiver can sit on top of your amp or be added to your pedal board. The receiver offers easy-to-read LEDs that display power, status and battery life.

Attached to Your Guitar Cable?
For players attached to cables, adopting a wireless system introduces many questions: What will it feel like? Will it change my sound? Relay G30 sounds just like a cable, but it also sounds just like your cable. Relay G30 features two EQ settings that match the frequency responses of typical guitar cables. Different players use different cables, but all players can use Relay G30.

VWT
Exclusive VWT (Virtual Wire Transmission) technology ensures full-range frequency response, excellent transient response, and wide dynamic range - just like a high-quality guitar cable.

Superior Specs
Relay digital wireless systems produce full-range tones with 10Hz-20kHz frequency response, exceedingly low noise with up to 120dB dynamic range, and studio-quality resolution with 24-bit A/D conversion. (Comparably priced analog wireless systems offer 50Hz-15kHz frequency response and >90dB dynamic range. This wreaks havoc on your tone, especially if you use a high-gain amp.)

Cable Tone Simulation
Using a cable and a wireless system? Now you can switch back and forth without having to adjust the tone settings on your amplifier. Relay digital wireless systems feature a Cable Tone Simulator, which lets you match the sound of your Relay to the sound of your cable.

Compander-Free
Companders squash your signal and ruin your tone. Analog wireless systems require companders but Relay wireless systems do not. Remaining compander-free enables Relay to deliver a beautiful high-end sparkle, thunderous low-end punch, and touch response that analog wireless systems simply cannot deliver.

Remaining compander-free gives better sound than analog wireless systems.

DCL
Exclusive DCL (Digital Channel Lock) technology automatically locks out all sources of interference. The only sound that will come out of your amplifier is you--not static, not Top 40 radio--just you.

2.4GHz broadcast
The best way to avoid interference? Don't get in its way. Relay digital wireless systems broadcast in the 2.4GHz band, which successfully avoids interference caused by TV stations, public safety broadcasts, cell phone towers, and other high-powered sources.

What About WiFi?
Worried about interference caused by 2.4GHz WiFi networks and Bluetooth devices? Don't be. Relay digital wireless systems use uniquely addressed and encoded digital transmission technology. Your tone will make it from your transmitter to your receiver free of interference.

Don't waste time scanning for open channels.

Full Quality, No Matter What
Whether you're playing two feet from your Relay G30 or at the edge of its range, you get the same great specs: full frequency response, superior dynamic range, cable-inspired dependability, and 24-bit A/D conversion.

All Channels, All the Time
All channels in all Relay digital wireless systems work all the time. Too good to be true? Maybe for an analog wireless system. Relay digital wireless systems are different. There's no website to reference, and no need to scan for open channels.

Gator Micro Keyboard Bag (GK-2110)

Gator Micro Keyboard Bag (GK-2110) Review

Gator Micro Keyboard Bag (GK-2110) Feature

• Durable nylon construction
• Reinforced comfort handles
• Comfortable shoulder strap
• Large exterior accessory pocket

Gig Bag for Micro Controllers; 22.5" X 11.5" X 4"

Line 6 Uber Metal Module

Line 6 Uber Metal Module Review

Line 6 Uber Metal Module Feature

• Metal, Pulverize and Insane distortions based on Line 6 High gain tones
• Built-in selectable noise gate
• Scoop control for massive tonal contouring
• Stereo inputs and outputs when used with ToneCore Stereo Dock

Allowing for unlimited tonal options and flexibility, ToneCore� effects now available as modules and ToneDock stompboxes. With ToneCore modules and docks, you can easily and inexpensively expand your effects arsenal at any time. The high-gain model in the ToneCore pedal line, Uber Metal brings you massive amounts of gain in one tiny, tough package. You can chose from some of the best Line 6 high-gain tones including Metal, Pulverize, and Insane. Also included with the Uber Metal is a built-in selectable noise gate, and scoop control for massive tonal contouring. So much gain, so little time!

Line 6 DT25 25W/10W 1x12 Combo Guitar Tube Amplifier

Line 6 DT25 25W/10W 1x12 Combo Guitar Tube Amplifier Review

Line 6 DT25 25W/10W 1x12 Combo Guitar Tube Amplifier Feature

• (1) 12AX7, (2) EL84 tubes, 1x12" Custom Celestion G12H90 speaker
• Intuitive, 2-channel design, instantly reconfigurable per channel
• Bogner design Tube amp

DT25 25W/10W 1x12 Combo Guitar Tube Amplifier by Line 6 The new DT25 1x12, 25W/10W combo tube amp from Line 6 and tube-amp guru Reinhold Bogner is four boutique tube amps in one!The powerful combination of reconfigurable analog components and HD modeling allows the DT25 amp to produce stunning American cleans, British crunch, class A chime and modern high-gain. Selectable operating class (Class AB/25 Watts/Fixed Bias or Class A/10 Watts/Cathode Biased), power tube mode (Pentode or Triode) and four lust-worthy amp Voicings (which offer the perfect combinations of negative feedback loop topology, and HD preamp and tone stack modeling) can dial in classic vintage tones or be shaped into highly customized originals – and each one drips with boutique tone and touch-response.Save different combinations of Voicing, operating class and power tube mode to each of the two channels and switch back and forth for total analog and digital reconfiguration in one touch! Add a POD HD multi-effect to create an entire boutique tube amp factory! Connected via exclusive L6 LINK technology, the DT25 amp and POD HD multi-effect rewrite the traditional amp/multi-effect paradigm and introduce powerful new concepts in control and customization. Add effects, additional amp voicings, foot control and instant scalability (including stereo operation with multiple DT25 amplifiers). (1) 12AX7 and (2) EL84 tubes; 1x12" Custom Celestion G12H90 speaker; MIDI I/O; Series effects loop; Cabinet simulated direct output; Low Volume Mode; Footswitch control of channel-switching and reverb. (Footswitch required.)